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Raffaella Berry's progressive music journey

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Manna/Mirage – Blue Dogs (2015)

December 23, 2015 by progmistress

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TRACKLISTING:
1. Canterbury Bells (4:50)
2. Duke Street (4:47)
3. Muffin Man Redux (7:23)
4. Lost in a Photograph (4:21)
5. Blind Eye (4:56)
6. Shwang Time (4:58)
7. Rovian Cue (4:10)

LINEUP:
Dave Newhouse – keyboards, woodwinds, drums
Billy Swann – bass
Paul Sears – drums
Mark Stanley – guitar
George Newhouse – drums
Steve Pastena – French horn

As wonderfully illustrated by Adele Schmidt and Jose Zegarra Holder’s superb documentary Romantic Warriors III – Canterbury Tales, the Canterbury scene expanded well beyond the borders of Great Britain, spawning a number of excellent bands in other countries. One of those outfits was The Muffins, a four-piece with an idiosyncratic configuration (drums, bass and double woodwinds) originally established in 1973 in the Maryland/Washington DC area, and reformed in the late Nineties after a lengthy hiatus. Though drummer Paul Sears’ move to Arizona in 2010 has curtailed the band’s live appearances, their recording activity has not ground to a halt, with two albums released in the past five years. The band members have also been contributing to several interesting projects in the field of progressive music.

Named after The Muffins’ 1978 debut album – one of the essential Canterbury-related releases – Manna/Mirage is the newest project by founding member Dave Newhouse (one of the band’s two woodwind players). Not surprisingly, fellow Muffins Billy Swann and Paul Sears are also on board, as well as Newhouse’s son George, guitarist Mark Stanley (of Chainsaw Jazz and Thee Maximalists), and newest recruit, Steve Pastena, on French horn. The ensemble’s debut, released in the autumn of 2015, bears the title of Blue Dogs – a title inspired by a painting by artist and RIO/Canterbury fan Gonzalo Fuentes Riquelme (aka Guerrilla Graphics), which graces the CD cover. The album was mixed and produced by none other than Mike Potter of Orion Studios – probably the most important venue for progressive music in the US, and the setting of The Muffins’ most recent performance to date, in May 2015.

As related in detail on Manna/Mirage’s website, Blue Dogs was originally meant as half of a big- band album by The Muffins. Clocking in at a mere 35 minutes, the album is such a rewarding listen that it almost feels like the appetizer before a full meal – jam-packed with buoyant horns and woodwinds, energetic yet stylish drumming, multilayered keyboards and keen-edged guitar. While the imprint of Newhouse’s mother band is clearly stamped all over it, Blue Dogs goes one step further, bearing witness to the artist’s love of classic jazz, as well as the Canterbury sound’s trademark blend of elegance and whimsy.

In the aptly-titled opening track “Canterbury Bells”, the titular bells are provided by a gently lilting glockenspiel, while Newhouse’s jaunty keyboards and woodwinds flesh out the sound. Dedicated to Duke Ellington (whose recorded voice can be heard at the end), the jazzy “Duke Street” starts out in an upbeat mood, then turns sparser and looser, the instruments’ staggered interplay of the especially riveting. Newhouse’s expressive woodwinds take centre stage in the exhilarating “Shwang Time”, where the big-band origin of the music is clearly on display. In contrast, “Lost in a Photograph” (whose title hints at nostalgia for things past) provides a foil for the album’s more dynamic compositions, with its stately, almost melancholy mood, while closing track “Rovian Cue” starts out brightly, and then mellows out, the piano and the woodwinds complementing each other.

That leaves Blue Dogs’ two most distinctive tracks, which increase the interest value of an already outstanding album. At over 7 minutes, “Muffin Man Redux” is propelled by Paul Sears’ pyrotechnic drumming, while leisurely bass and guitar mesh together to complement the spirited call of the saxes. A citation of the gospel classic “When the Saints Go Marching In” leads the way to a fuzzed-organ passage in true Steward-Ratledge style, followed by an amusing rendition of the nursery rhyme that lends its title to the song. On the other hand, after a slow, sedate beginning, “Blind Eye” veers into Avant/Zeuhl territory, with its many tempo changes, meandering guitar and blaring saxes.

Although Blue Dogs is obviously a must-listen for any self-respecting fan of the Canterbury scene, the album will provide 35 minutes of bliss to everyone who loves great music. Newhouse’s love of his craft and his knowledge of different genres are all brought to bear in what is definitely one of the top releases of 2015 – though, unfortunately, not one that will have received as much exposure as other (and, in my view, inferior) albums. I hope this review will in some way redress the situation, or at least create some curiosity. Those who appreciate the album will be glad to know that Manna/Mirage’s follow-up effort has already been composed and halfway recorded, and will see the light in 2017. In the meantime, what about some live shows?

Links:
http://www.mannamirage.com

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Posted in Canterbury Scene, Instrumental, Progressive Rock, Review | Tagged Billy Swann, Dave Newhouse, George Newhouse, Guerilla Graphics, Manna/Mirage, Mark Stanley, Mike Potter, Orion Studios, Paul Sears, Steve Pastena, The Muffins | 9 Comments

9 Responses

  1. on December 23, 2015 at 5:48 pm Dan Burke

    Raff,
    This is yet another really concise review that gets right to heart of things. This record feels very personal to me. Part of that is due to the respectful and loving take on the Canterbury sound. Another is the fact that a friend and I organized a Muffins gig at Penn State sometime in 1978-1980 (forgot which year) Finally, the shortness of the release; it seems to come and go too quickly. This is good thing and compels me to hit the replay button. I’m looking forward to Dave’s next release.


    • on December 23, 2015 at 6:18 pm progmistress

      Thank you for the kind words, Dan! Merry Christmas to you, John, the doggies and the rest of your families!


  2. on December 23, 2015 at 6:37 pm Debi Byrd

    Raff –

    A wonderful review with which to end 2015! As a fan of The Muffins as far back as 1976, I hold a special place in my heart for Manna/Mirage and we’re so fortunate to have such great material from these musicians almost 40 years later. “Should Old Acquaintance be forgot”? Not a chance! All the best for a wonderful New Year 2016!

    Debi


    • on December 23, 2015 at 6:52 pm progmistress

      Thank you, Debi! All the best to you and your loved ones!


  3. on December 23, 2015 at 9:10 pm Deb Sears

    Wonderful review, I really do like this one and it has nothing to do with my ‘ties’ to a certain member. 🙂 Thanks for taking the time to listen and review it so well. Deb Sears


    • on December 24, 2015 at 8:21 am progmistress

      Thank you for you kind words, Deb! A happy holiday season to you and Paul!


  4. on December 24, 2015 at 3:08 pm ibaseahorse

    Thank you for yet another fine review….I don’t have Blue Dogs yet, but I’m especially looking forward to hearing it, now! Helaine


    • on December 24, 2015 at 3:37 pm progmistress

      Thank you, Helaine, and merry Christmas to you and yours!


  5. on January 6, 2016 at 4:51 am Shelidon

    Happy New Year and Best Wishes, my dear, to you and your loved ones. We hope you are not having troubles with the weather, up there.
    Loads of love,
    Chiara & Tato



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