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Posts Tagged ‘Latte E Miele’

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On May 25-26, 2013, the Italian “prog hub” of Genoa and its surrounding region of Liguria will be the undisputed protagonist of an event of international scope targeted to anyone who is in the business of making and promoting music. The FIM (Fiera Internazionale della Musica), the largest event of its kind organized in Italy, will take place at the Ippodromo dei Fiori in the medieval hill town of Villanova d’Albenga. The town lies about 50 km (31 miles) west of Genoa, in the hinterland of the famed Riviera di Ponente, the western stretch of the Italian Riviera, curving towards the French border and following the route of the Via Aurelia, the longest of the original Roman roads.

Over two whole days, the event will offer a unique showcase to up-and-coming bands and artists from all over Italy. Four stages and other dedicated spaces will allow musicians to perform with their own instruments, and the participants will also have a wide range of workshops, seminars and other happenings to attend – all covered by a daily entrance fee of € 15.

One of the core events of the fair, the Riviera Prog Festival will host a total of 13 bands (as well as the symphonic orchestra of the neighbouring town of Sanremo, known internationally for its Festival della Canzone Italiana)  in the afternoon and evening of both days, starting from 3 p.m. The bands that will take turns on stage during this event-within-the-event represent some of the best that Italian progressive rock has to offer, with an eye to its glorious past and another to the thriving contemporary scene – an example that US organizers would do well to follow, instead of focusing on foreign acts to the detriment of homegrown talent.

Though most of the bands and artists on the lineup are based in Liguria, other parts of Italy have not been neglected: Goad and Le Porte Non Aperte hail from Tuscany, while Claudio Simonetti/Daemonia and Biglietto per l’Inferno  (both protagonists of the original RPI movement in the early Seventies) are based respectively in Rome and Milan. The local talent includes veterans such as The Trip (who counted one Ritchie Blackmore among its early members), Latte E Miele (who were slated to headline the sadly cancelled Farfest 2012), DeliriumGarybaldi and Il Cerchio d’Oro, and modern bands such as Il Tempio delle Clessidre (whose career-defining NEARfest appearance endeared them to the US prog community), G.C. Neri Band, La Coscienza di Zeno and newcomers Flower Flesh.

FIM has been sponsored by a number of local agencies, including the region of Liguria, and partnered by media outlets such as local radio and TV stations, as well as the association Centro Studi per il Progressive Italiano (CSPI), independent label Black Widow Records and recording studio Maia (all based in Genoa). The event’s website (unfortunately only in Italian, at least for the time being) contains detailed information on the event, including tips for anyone who would like to combine the pleasures of music with those of sightseeing.

Links:
http://www.fimfiera.it/

http://cspigenova.blogspot.com/

http://www.blackwidow.it

http://www.maiagroup.it/maia/studio-di-registrazione

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Greg Walker is a well-known name in the international community of progressive rock fans as the man behind Syn-Phonic, one of the biggest online purveyors of CDs and other musical goodies – possibly the one offering the widest range of material, and definitely one of the most knowledgeable (and friendly) people in the business. US-based fans will also remember him as the organizer of ProgFest, a successful run of festivals that took place between 1993 and 200o in the Los Angeles area.

After retiring from the festival business, and spending  the next decade concentrating on the promotion of progressive rock through his extensive catalogue (including regular appearances at the major prog festivals such as NEARfest and RoSfest), in 2011 Walker decided to throw his hat into the arena once again. A self-professed fan of European prog, with a particularly soft spot for the Italian scene of the Seventies, Walker planned a pull-out-all-the-stops extravaganza that would offer to the US prog audience  the unique opportunity of seeing a number of cult Seventies bands together on the same stage.

Though his original plans of holding the event in 2011 as a replacement of sorts for NEARfest 2011 (hence the punning name of Farfest), even if somewhat later during the year, were foiled by the impossibility of  finding a suitable venue at a rather short notice, Walker took advantage of the extra time allowance to assemble a line-up that sounds like a dream come true for fans of the European scene of the golden age of prog. The event,  spread over 4 days, and scheduled to take place at the impressive Grand Opera House in Wilmington, Delaware (pictured above) – a very convenient location, situated halfway between Washington DC and New York City, and close to major airports such as Baltimore and Philadelphia – will host a whopping 13 bands, some of them still active, others reformed just for the occasion.

True to his passion for Italian prog, Walker has given pride of place to Italian bands, with the recently reunited Latte E MieleLocanda Delle Fate, Alphataurus and Maxophone. Three French bands of the Seventies – Atoll, Pulsar and Shylock – will also appear, as well as Poland’s SBB  and “Prog Andaluz” standard-bearers Mezquita. The only two bands from English-speaking countries will be legendary US outfit Cathedral (who will perform their famed 1978 album Stained Glass Stories in its entirety) and London-based  band Cressida, one of the protagonists of the early English scene. The lineup will be completed by two highly-rated bands from more recent years, Anekdoten from Sweden and Wobbler from Norway.

As the above paragraphs make it abundantly clear, Farfest 2012’s main target are not fans of progressive rock in its more contemporary incarnations. The event is geared towards the “nostalgia crowd” – those people who think the Seventies will never be equalled in terms of musical output, and who have a personal “bucket list” of bands to see before they throw in the towel for good. Even if one might disagree with this direction, there is no denying that event will be remembered for a long time, and may well provide a much-needed shot in the arm for the ailing US festival scene. It  remains to be seen if a successful response in terms of audience will convince Walker to repeat the event (originally planned as a one-off) in the future.

Patron tickets – which, at $ 350 are rather expensive, though they give access to the best seats, as well as providing financial support to the event, increasing the chance of its survival – have been put on sale in mid-April. General ticket sales will open on May 21 at 10 a.m.. The Grand Opera House has 1,200 seats, so there should be enough room for everyone interested in attending. Farfest 2012 has its own website featuring very thorough information on the event, as well as pages on Facebook, MySpace and Twitter, which can be accessed from the main site.

Links:
http://www.farfest.com


http://synphonic.8m.com/index.htm

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