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Posts Tagged ‘Maxophone’

Greg Walker is a well-known name in the international community of progressive rock fans as the man behind Syn-Phonic, one of the biggest online purveyors of CDs and other musical goodies – possibly the one offering the widest range of material, and definitely one of the most knowledgeable (and friendly) people in the business. US-based fans will also remember him as the organizer of ProgFest, a successful run of festivals that took place between 1993 and 200o in the Los Angeles area.

After retiring from the festival business, and spending  the next decade concentrating on the promotion of progressive rock through his extensive catalogue (including regular appearances at the major prog festivals such as NEARfest and RoSfest), in 2011 Walker decided to throw his hat into the arena once again. A self-professed fan of European prog, with a particularly soft spot for the Italian scene of the Seventies, Walker planned a pull-out-all-the-stops extravaganza that would offer to the US prog audience  the unique opportunity of seeing a number of cult Seventies bands together on the same stage.

Though his original plans of holding the event in 2011 as a replacement of sorts for NEARfest 2011 (hence the punning name of Farfest), even if somewhat later during the year, were foiled by the impossibility of  finding a suitable venue at a rather short notice, Walker took advantage of the extra time allowance to assemble a line-up that sounds like a dream come true for fans of the European scene of the golden age of prog. The event,  spread over 4 days, and scheduled to take place at the impressive Grand Opera House in Wilmington, Delaware (pictured above) – a very convenient location, situated halfway between Washington DC and New York City, and close to major airports such as Baltimore and Philadelphia – will host a whopping 13 bands, some of them still active, others reformed just for the occasion.

True to his passion for Italian prog, Walker has given pride of place to Italian bands, with the recently reunited Latte E MieleLocanda Delle Fate, Alphataurus and Maxophone. Three French bands of the Seventies – Atoll, Pulsar and Shylock – will also appear, as well as Poland’s SBB  and “Prog Andaluz” standard-bearers Mezquita. The only two bands from English-speaking countries will be legendary US outfit Cathedral (who will perform their famed 1978 album Stained Glass Stories in its entirety) and London-based  band Cressida, one of the protagonists of the early English scene. The lineup will be completed by two highly-rated bands from more recent years, Anekdoten from Sweden and Wobbler from Norway.

As the above paragraphs make it abundantly clear, Farfest 2012’s main target are not fans of progressive rock in its more contemporary incarnations. The event is geared towards the “nostalgia crowd” – those people who think the Seventies will never be equalled in terms of musical output, and who have a personal “bucket list” of bands to see before they throw in the towel for good. Even if one might disagree with this direction, there is no denying that event will be remembered for a long time, and may well provide a much-needed shot in the arm for the ailing US festival scene. It  remains to be seen if a successful response in terms of audience will convince Walker to repeat the event (originally planned as a one-off) in the future.

Patron tickets – which, at $ 350 are rather expensive, though they give access to the best seats, as well as providing financial support to the event, increasing the chance of its survival – have been put on sale in mid-April. General ticket sales will open on May 21 at 10 a.m.. The Grand Opera House has 1,200 seats, so there should be enough room for everyone interested in attending. Farfest 2012 has its own website featuring very thorough information on the event, as well as pages on Facebook, MySpace and Twitter, which can be accessed from the main site.

Links:
http://www.farfest.com


http://synphonic.8m.com/index.htm

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My regular readers may have noticed my frequent references to the lively progressive rock scene in the northwestern Italian region of Liguria, particularly as regards the great seaport of Genoa – supported by the activity of well-known independent labels based in the area (such as Mellow Records and Black Widow) in promoting a genre that has put firm and enduring roots in the Italian music scene since the early Seventies. Sadly, as some of my readers may know, at the end of October the whole region was affected by major flooding, which caused very serious damage and loss of life, especially in the beautiful area known as the Cinque Terre.

As a number of circumstances (such as the Japan earthquake) have proved, prog artists – in spite of the airy-fairy stereotype perpetuated by the media – do have a keen social conscience. In order to raise funds to help the local population to cope with the aftermath of the floods, a one-day festival called ProG Liguria will be hosted by the port city of La Spezia, the administrative centre of the area affected by the natural disaster, on January 21, 2012. The event, organized by Genoa-based architect and longtime prog fan Angelo De Negri and independent labels Black Widow, Ma.Ra.Cash and Distilleria Music Factory, will also involve the collaboration of the thriving, internationally renowned tourist and food industry of the La Spezia province.

ProG Liguria will last from noon to midnight, and feature a number of high-profile Italian prog bands and artists, many of whom have been featured on this blog: legendary Seventies acts such as Osanna (with special guest Gianni Leone), Delirium (with special guests Sophya Baccini and Franco Taulino), Arti e Mestieri (with special guest Gigi Venegoni), Nuova Idea (with special guests Joe Vescovi, Giorgio Piazza and Marco Zoccheddu), Locanda delle Fate and Maxophone; rising stars such as Il Tempio delle Clessidre (with special guest Max Manfredi), The Watch, La Maschera di Cera, La Torre dell’Alchimista, Moongarden and Altare Thotemico; Claudio Simonetti’s project Daemonia (familiar to those who attended ROSfest 2011); supergroup CCLR (Cavalli Cocchi, Lanzetti, Roversi, with special guest Aldo Tagliapietra), and New Trolls offshoot UT – Uno Tempore (featuring drummer Gianni Belleno).

Anyone who is planning to be in Italy in the month of January should not miss this once-in-a-lifetime event. Hopefully more details (such as ticket prices) will be forthcoming in the next few weeks.

Where: Spezia Expo ‘ – Via del Canaletto, La Spezia (Italy)
When: Saturday, January 2, 2012 – from noon to midnight
Information: (+39) 346 619 1593/ 010 246 1708

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